This is a positive representation of teenagers as the storyline doesn't revolve around a material existence of symbol as Althusser states. This supports Fiske's argument instead of Adorno's notion that teenagers are perpetuated as rebellious throughout the culture industry. The teenagers in this are part of extra-curricular activities, the main one being a theatrical production. There is mostly an inherent sense of innocence, specifically around the romantic plot between the protagonists.
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